Friday, 26 June 2015

Assignment 3 - research update


Outrage at Emirates rebranding of Portsmouth's Spinnaker Tower

Image: Portsmouth News
Since I took my images of the tower, the latest controversy kicked off. Portsmouth City Council signed a sponsorship deal with the Emirates airline  worth £3.5m. The first images of the rebranding of the tower ( to be coloured red and white running up the length and breadth of the tower ) infuriated many local people. Red and white being the colours of football rivals Southampton.






Image : Portsmouth News










A petition against the rebranding colour attracted thousands of signatures resulting in the City Council deciding to go back to the drawing board. New designs will apparently be open to public consultation. 


Personally, I think it a great shame to move away from the existing colour but given the need for the money I hope they will come up with a design that is more white than anything else. The jury is out....

So here's the latest design - Portsmouth colours !! A good compromise for the city...


Image : Portsmouth News





Reflection on Assignment 3

Reflection on 'Buildings in use'

This has been a very stimulating assignment to do and worth some thought after the event.
Thinking about what buildings to choose here. I had in mind some buildings that I might work for this assignment so I set out initially to check this out through desktop research. The eventual mix included new, iconic designs and old buildings converted to a different use to that of the original. Some were designed as tourist attractions or have become such. Others were designed for a particular function i.e. café or art gallery. With the exception of Tate Modern (a last minute decision), I chose buildings that I could return to easily should I need to. Boathouse 6, East Beach Café, and the Aspex Gallery were visited twice.

What did I learn during the course of the assignment?

Research

In some respects, the research was very much the easier task combining desktop searches with previous visitor experiences of some of the buildings chosen. This exercise has emphasised the real value of knowing as much as you can about the subject before setting out – in this case the concept and design of the building. This was particularly valuable for the Mary Rose Museum and the East Beach Café as what I learnt about the concept helped shape my ideas as to how to capture photographically how well space was being used i.e. what features I might want to include in the images.

Walking the floor

Desktop research can only take you so far- it helps inform the game plan for the shoot...what might be worth photographing to show what you want to convey.
Nothing can ever replace taking time to just walk and look around before taking any pictures. In this instance, observing other visitors using the available space helped form ideas as to how successful the building was being used and how I might show this. It also helped me realise where it would be difficult to take shots either due to the confines of space, lighting issues or the numbers of visitors milling around.

Anticipating photographic restrictions

You can anticipate photographic restrictions to some extent but a phone call ahead can establish whether what the restrictions are. Interestingly, I knew that flash photography was not allowed in the Mary Rose Museum – a real problem given the narrow darkened galleries but I did establish that I could in take a tripod (and I thought they would say no due to Health & Safety!) No one said that I could not take photos inside except the Tate (which I knew anyway) and the East Beach Café which said a definite no to pictures of customers (and therefore no tripod either which inevitable led to images with a high level of noise).

Looking at the spaces within each building made me think quite hard about how to approach capturing the features I’d identified in photographic terms. I found myself looking at the building in different ways. For example, from a design and concept  point of view, from the stance of marketing the space either as a tourist attraction or corporate business venue, a cultural space or from the visitor perspective.

Reflecting after the initial visit and shoot...what worked and what didn’t made me realise in this instance the main issue was more often than not the technical issue of taking images in low light without the possibility of using a flash unit or sometime a tripod. This did lead to compromise on the second visit either having to rely on a tripod in an area of visitor high traffic or no tripod and an IPhone. The resulting images did have a lot of noise.

My assignment is now on its way to my tutor. I’ll sleep on these reflections and come back in a while to consider what else I’ve learnt from ‘Buildings in use’



Thursday, 25 June 2015

Assignment 3


Buildings in use- East Beach Cafe 

Does the East beach Cafe  work as a seaside café? And as it was designed to do? Yes, I think it does…

Heatherwick Studio's design brief was to a build a new café -' a building that would not only become a popular local cafe  and attraction, but a place of what they called 'prospect and refuge' with generous views of the sea and a cosy atmosphere whatever the weather'. 


P906 : F8: @ 1/160  21mm  ISO 100

A building that would  fit in with Littlehampton's raw beauty - to sit on a seafront largely given over to shingle (P906 ).



P905: F14 @ 1/60  39mm  ISO 100
Prospect and refuge ....



P907: F2.2  @ 1/1600  4.15mm  ISO 32

And generous views of the sea..



P908:  F2.2  @ 1/120  4.15mm  ISO 40

The café’s interior is rather like being inside a shell  with walls and ceiling sprayed with a soft-to-the-touch insulating foam echoing the exterior shape. Difficult to know whether the cosy atmosphere would come from this effect, windows and doors shut against the elements or a cafe full of customers. 

That said, this is a very successful building which serves a very good cup of coffee !!

































































































Assignment 3 - research


East Beach Cafe - design and practical challenges

I really like the East Beach cafe..it appeals to my love of texture and modern sculpture and that said, came to mind for this particular assignment. I'd seen pictures of the outside when it was first opened but this assignment was the first time I had seen in it for real and experienced sitting inside with a welcome cup of coffee.


P906: F8 @ 1/160  21mm  ISO 100


This  seaside café, sat on a long,thin promenade site, has a very interesting design background.

Littlehampton is a quiet almost reserved seaside resort. Before the cafe was built, its seafront was mainly deserted shingle.There was an existing promenade kiosk but only usable in good weather. When a planning application turned up to replace it with an 'artless and ugly' new building, local residents Jane Wood and her husband Peter Murray took direct action. They acquired the site and then by chance came across Thomas Heatherwick at a party at the Goodwood Sculpture Estate. What came out of this meeting was the unique East Beach Cafe.
 
Heatherwick and his design team set out to create a new café, a 80-seater, 5.5 metre tall restaurant building  on the long, narrow site of the existing seafront kiosk - 'a building that would not only become a popular local cafe  and attraction, but a place of what they called 'prospect and refuge' with generous views of the sea and a cosy atmosphere whatever the weather'. (1) He saw his challenge to ‘build a functional and durable structure on a tight budget,where you can eat a Mr. Whippy or drink Dom Perignon'. He said that the building was designed to fit with Littlehampton’s ‘raw beauty.’ (1)

My challenge was to show the important features of the building photographically. 

So here we have a long, thin self-supporting structure made out of ' layers of patinated steel shaped like OS map contours or tectonic plates made solid and slipping sideways'. (2) Its profile is derived from both wanting the building to look natural and weathered but also from a practical need to invisably accommodate the roller shutter boxes. Inside the café’s interior is rather like a shell  with walls sprayed with a soft-to-the-touch insulating foam often used in barn conversions.



So, how to capture the design concept,its actual impact in terms of how the space was designed to be used, how it was being used and its effectiveness as a usable space in photograhic images ? I wanted to bring out the shape, structure, texture and colour of the building as well as illustrating how the space was being used.


Certain challenges were very apparent at the start of the photo shoot i.e. 


  • Position of the sun for exterior shots - the effect of the light and shadow was crucial to bring out the contours of the building.
  • Position of the building i.e. right in front of a carpark creating difficulties for images taken of the back of the building.
  • Working around the toy train ride that stopped outside the  cafe and, of course the walkers, cyclists and skateboarders enjoying the hot sunshine and the seaside promenade.
Later I discovered a really limited factor and one more crucial to the assignment i.e. the limited permission to take photos inside the cafe itself. Cafe staff were happy to have me taking images provided they did not include members of the public. Not easy in a cafe ! The lighting conditions really required a tripod as I could  sense the use of a flash being too intrusive. In the end I had to compromise and used my iphone camera to get the candid interior shots I really wanted.


So, how to capture the design concept and its actual impact in terms of how the space was designed to be used, how it was being used and its effectiveness as a usable space in photograhic images ?

Certain challenges were very apparent at the start of the photo shoot i.e. 


  • Position of the sun for exterior shots - the effect of the light and shadow was crucial to bring out the contours of the building.
  • Position of the building i.e. right in front of a carpark creating difficulties for images taken of the back of the building.
  • Working around the toy train ride that stopped outside the  cafe and, of course the walkers, cyclists and skateboarders enjoying the hot sunshine and the seaside promenade.
Later I discovered a really limited factor and one more crucial to the assignment i.e. the limited permission to take photos inside the cafe itself. Cafe staff were happy to have me taking images provided they did not include members of the public. Not easy in a cafe ! The lighting conditions really required a tripod as I could  sense the use of a flash being too intrusive. In the end I had to compromise and used my iPhone camera to get the candid shots I really wanted.

(1) www.eastbeachcafe.co.uk
(2) Bayley,S. ( 2007 ) Fresh seafood served here. The Guardian 10 June 2007

 

Assignment 3


Buildings in use - The Aspex Gallery


P935: F4 @ 1/80  18mm  !SO 400the 


The Aspex Gallery moved into an old military storeroom in Gunwharf Quays, Portsmouth in 2006.

Designed to be user-friendly by award winning architects Glenn Howells, the conversion houses a gallery,open plan shop, artist resource centre (ARC), classroom for art workshops and clubs and a modern cafe.The intention was to retain its historic structure yet give the gallery a contemporary layout with scope to expand its educational activities - all on one level.



Like many of my chosen subjects for this assignment, the Aspex Gallery presented lighting and spatial challenges ( a narrow corridor ), and the only time that I had to sign a permission form indicating that my images were for educational purposes.



How well does the design work?




 
P933:F8 @ 1/80  10mm  ISO 800



P932: F8: @ 1/50  10mm  ISO 400



The public footprint area is compact. There are two main exhibition areas - the relatively narrow corridor ( P933 and P932 ) above leading from the main entrance to the cafe area  P934 and a larger rectangular area for larger 3D exhibitions ( P931).


P931: F5.6 @ 1/40  18mm  ISO 800


At the front of the building comes the cafe with a seating area often used at night as a small performance area.




P934: F5.6 @ 1/125  20mm  ISO 800


I approached this photo shoot from the point of view of the user or visitor, again observing how people used the Gallery and which spaces drew their initial interest. It took two visits to capture what I thought would work as I wanted to show the main exhibition area in use.

I think the images above do give a feel of the building and how the space is being used.I like the way that all the space is used, not only the floor but the walls and ceiling. The mix of the historic fabric ( walls, windows and doorways and doors) works well with the modern internal infrastructure created for classroom, office,shop and cafe space. It is a very effect use of space, simple, visually attractive, practical and user friendly.

Assignment 3




Buildings in use - The Spinnaker Tower

I have enjoyed visiting Portsmouth's landmark Spinnaker Tower a number of times over the past few years. We even considered it as a venue for our wedding party.
I’m not alone in liking the tower as it has welcomed  2.5 million visitors since 2005 attracted by the stunning 350 degree  views  of the city, Langstone and Portsmouth harbours and a viewing distance of 23 miles.

Why did I choose the Spinnaker Tower for this assignment?

P903 : F8 @ 1/500  22mm  ISO 400

I just love the design of what is truly the centrepiece of the redevelopment of Portsmouth Harbour. The shape of the 170-metre tower was chosen by residents from a selection of designs. Designed by a local firm HGP Architects and engineering consultants Scott Wilson , the tower reflects Portsmouth maritime history through its design. The tower represents sails billowing in the wind using two large, white, sweeping metal arcs which give the tower its spinnaker sail shape. 

This is an iconic building designed to be both a landmark and a tourist attraction incorporating observation decks, a cafe and a ground floor reception desk, shop and café. I decided to focus on how the Spinnaker's shape  influenced the use and design of space, particularly the three observation platforms towards the top as their size and use would be very much constrained ( or not ) by the actual design itself. 

P901 : F8  @ 1/250  18mm  ISO 200
P901 and P02 show the main observation deck and it's glass floor, the largest in Europe apparently. This is the largest of the three observation desks. I tried to capture the way the floor space and glass windows curve to follow the shape of the building,how the roof is designed to follow though the idea of billowing sails and what you can see of the harbour and beyond....

 
P902: F8  @ 1/400  18mm  ISO 200

The next deck has been converted into cafe area (P900 ) - the 'Cafe in the Clouds' ;  its selling point not only the delicious coffee served but the views over the harbour and towards the Isle of Wight.


 
P900: F5 @ 1/3200  31mm  ISO 400

The shape of the cafe area follows the same line of the building as the main observation deck below but is smaller.This shot is taken in the corner at the back to show how the seating area works and looks. I could have taken a wider shot across the space with the view to my left but felt this less attractive as it would show more tables and chairs than the way the shape of the building allows for lovely views.Difficult though to show the floor to ceiling glass windows.

The last observation deck is the crows' nest desk which as it's name suggest is at the top of the building as a crow's nest would be at the top of the main mast of a ship. This a much smaller area which follows the same space shape but is open to the elements. A difficult shot to take to show a slightly different perspective in design terms. In the end I opted for the angle in P904 which shows the wire mesh roof designed in a billowing fashion, I guess following through the idea of sails billowing at sea and a hint at the 350 degree views. 

 
P904: F14  @ 1/320  22mm  ISO 400

When I set off to photograph the Spinnaker Tower, I spent some time experiencing the building as a visitor and watching how other people used and enjoyed the observations decks and cafe . This gave me some idea as to what features I wanted to capture to best reflect how these spaces are used. At the start I did not realise what the real challenge would be. Not the actual shape of the building or its popularity (the fact that there would always be people milling around moving into and out of shot). It was the glass windows i.e..the colour and thickness.

It wasn't so much the reflection but the fact that somehow all the images came out with a blue tinge..possibly the windows are tinted to allow good views in extremely sunny, bright weather.More research failed to find any reference to this or the thickness of the glass that might affect the light in some way. At first I thought that it was down to what I was doing with the camera settings but I have noticed that other images taken inside the observation decks found elsewhere on the Internet and in publications also have this blueness. I used Lightroom to help adjust this tinge but have not been able to completely eradicate it. On the positive side, you could argue that the slight blue appearance is in keeping with the nautical theme of the design..


Looking back now at my images and own experience of the Spinnaker Tower, I do feel that the building is achieving what the design set out to do.Its design reflects the city's maritime past and the design and use of available public space for observing and enjoying views over Portsmouth, its harbour and the Solent is well done.